They do not understand the idea of sin, such as the segregation throughout the novel, but where they live, evil comes in many different shapes and sizes, and they each gain separate insights to their society in the small town of Maycomb. Because Scout, Jem, and Dill are at different stages of growth, they each learn and mature at different rates from different experiences. Jem begins to show signs of growing up the earliest out of the three, when he started to think of himself as an adult, and told Scout to act more like a girl-the very opposite of what he used to say-that she needed to stop acting like such a girl.
Over the course of To Kill a MockingbirdBoo Radley is transformed from a bloodthirsty ghoul who feasts on raw animals and peeps in windows to the most heroic and sympathetic character in the novel. Although Scout and Jem don't seem to immediately realize from where the gifts in the secret knothole come, the reader is able to recognize that they could only have come from Boo; the reader sees before the children that Boo is trying to befriend them, and that these treasures signify that Boo is a caring and inquisitive--though mysterious and completely invisible--neighbor.
After Miss Maudie's house fire, when Boo's presentation of the blanket upon Scout's shoulders finally opens the Finch children's eyes completely, the children give him the privacy that Atticus has always told them Boo deserves, and Boo fades into the background of the story as the trial of Tom Robinson unfolds.
But Scout still fantasizes about meeting Boo, and author Harper Lee beautifully synthesizes the two plots together in the final chapters, with Boo making his inevitable appearance just in the nick of time for Jem and Scout. Scout's fantasy comes alive when she finally sees Boo lurking in the shadows of Jem's bedroom and politely leads him to the porch where she sits with him on the swing.
When Boo whispers to Scout that he wants to go home, she leads her hero back to his house--a young lady leading her gentleman caller--never to be seen again.
It is a fitting ending for Boo, who has successfully protected "his children": His job complete, and with Bob Ewell dead, the children no longer need him to watch over them.To Kill a Mockingbird novel is a warm and humorous piece of writing though it deals with critical issues such as racial inequality and rape.
The novel was published in by Harper Lee and it gained immediate popularity and success becoming a modern literature in American. Extended Character Analysis. Jean Louise "Scout" Finch is the protagonist and narrator of To Kill a Mockingbird, and the events of the story unfold through her recollections of growing up in the.
Essay Kill A Mockingbird By Harper Lee. To Kill a Mockingbird is a novel written by Harper Lee. The story is set in Maycomb, Alabama around the ’s; a time of racial injustice, poverty, and inequality. Jun 27, · Best Answer: Arthur Radley (Boo) - Character Analysis Boo the Monster Boo first comes into the novel through the creative imagination of Jem, whose description of his neighbor suggests that if he had been born several decades later, he would probably be shooting homemade zombie movies on digital video in his monstermanfilm.com: Resolved.
Arthur “Boo” Radley - A recluse who never sets foot outside his house, Boo dominates the imaginations of Jem, Scout, and monstermanfilm.com is a powerful symbol of goodness swathed in an initial shroud of creepiness, leaving little presents for Scout and Jem and emerging at an opportune moment to save the children.
Many characters in To Kill a Mockingbird are outsiders in their society. How does Harper Lee try The people of Maycomb seem to have a genuine fear of the unknown, and the few outsiders mentioned in the story are subject to suspicion and ridicule.