Lucien died from his wounds in a makeshift army hospital on 11 October.
The left column is about Hegel, the right column is about Genet. Each column weaves its way around quotations of all kinds, both from the works discussed and from dictionaries—Derrida's "side notes",  described as "marginalia, supplementary comments, lengthy quotations, and dictionary definitions.
A Dutch commentator, recalling Derrida's observation that he wrote with two hands, the one commenting on the other, noted that the two-column format aims to open a space for what the individual texts excluded, in an auto-deconstructive mode.
Hegel certainly is a Father to the author, and Derrida notes that his own father had died during the process of his writing Glas. Derrida's signature, the D, is found in many places: Following Plato, Derrida sees the relation between author and text as one of filiation, but unlike Plato's idea of filiation, which involves only the father and the child, for Derrida author alternates between the father and the mother of the text.
In this relationship, the author's signature becomes the guarantor of the text's truth, "it becomes its surrogate parent," according to Jane Marie Todd.
The Genet column discusses his autobiographical writings, where one of the issues is Genet's very name—it is not that of his father, but of his mother, who abandoned him shortly after birth. In his estimation reading the book is "a scandalously random experience" given the problem of how to read the two printed columns—consecutively or alternately from section to section.
Though it is an "exuberantly clever, punning text", it "asks too much of one's patience and intelligence; our defense against a text declaring itself to be unreadable may be to call its author's bluff and simply leave it unread.
Both books are the product of radical textual montage, using elaborate cut-and-paste strategies that caused problems in getting into print; both were reissued in the s and hailed as influential for an entire generation: Luc Ferry and Alain Renaut referred to Glas as the "quintessence of the discourse of the 'sixties", though Ned Lukacher notes that this amounts to "a glib dismissal of Derrida's masterpiece" by restricting its scope and enclosing it as a naive text whose erasure is willed by the writing subject, whereas Lukacher maintains that "Derrida never contests that there is always a subject that decides; his point is rather that the decision never took place on the grounds the subject thought it did and that the decision has effects that the subject cannot account for.For a discussion of a strategy of reading (and writing) the relation between Derrida and Deleuze.” 47– Ibid.” in Margins of Philosophy.
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